Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art his...(展开全部)

Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art his...(展开全部)

A fresh take on the history of art, using cultural timelines to reveal little-known connections and influences between artworks and artistic movements Most surveys of the history of art are divided into historic periods, artistic schools, and movements. In reality, movements and artists’ careers overlap and intertwine, reacting to events in the world around them. By prioritizin...(展开全部)

Since its first publication this book has been hailed as the most up-to-date and wide-ranging history of art ever published in a single volume. This quote from Andrew Graham Dixon describes the book: 'Spanning continents and millennia, ranging from man's earliest cave paintings to the works of Picasso and beyond, this is a hugely ambitious book. But thanks to the breadth of the...(展开全部)

Fred S. Kleiner is Professor in the Department of History of Art & Architecture and the Department of Archaeology at Boston University, where he was taught since 1978. He is the author of more than a hundred publications on Greek and Roman art, architecture, and numismatics.

A HISTORY OF ROMAN ART is a new authoritative and lavishly-illustrated survey of the art of Rome and the Roman Empire from the time of Romulus to the death of Constantine, presented in its historical, political, and social context. All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces...(展开全部)

An authoritative history of art history from its medieval origins to its modern predicaments In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of wr...(展开全部)

An authoritative history of art history from its medieval origins to its modern predicaments In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of wr...(展开全部)

Since its first publication this book has been hailed as the most up-to-date and wide-ranging history of art ever published in a single volume. This quote from Andrew Graham Dixon describes the book: 'Spanning continents and millennia, ranging from man's earliest cave paintings to the works of Picasso and beyond, this is a hugely ambitious book. But thanks to the breadth of the...(展开全部)

Hugh Honour 修・昂纳 当代著名的艺术史学者，毕业于剑桥圣凯萨琳学院（St Catherine's College），他是英国皇家文学院和大不列颠学院院士。著有：《中国印象》（The Vistion of Cathay，1961年）；《威尼斯指南》（The COmpanion Guide to Venice，1965年；1990年，第三版）；《新古典主义》（Neo-classism，1968年，第二版，1977年）；《浪漫主义》（Romantism，1979年）。他于1976年为华盛顿的国家美术馆和克夫兰美术馆等备美国建国两百周年展；《欧洲眼中的美国》（The European Vision of America）。他的著作《西方艺术史中的黑人形象：从美国独立革命到第一次世界大战》（The Image of the Black in Wes...(展开全部)